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Ivan Timofeev
History reference
Icon painter from Yaroslavl. He was mentioned in documents from 1649 to 1654. Under Tsars Mikhail Fedorovich and Alexei Mikhailovich he was repeatedly called to Moscow to produce icon-painting works. Together with Sevastyan Dmitriev, he painted the porch of the Assumption Cathedral of the Kirillo-Belozersky Monastery in 1650. He took part in the creation of the iconostasis of the Assumption Cathedral of the Moscow Kremlin in 1653.
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Icon of St Andrew the Apostle, in cover, from the Deisis. Icon painter: Ivan Timofeev, icon painter: Sebastian Dmitriev, icon painter: Sergeev Stepan, Author of the drawing, architect: Chichagov Dmitri. Painting - 1653, painted over in late 19th century. Cover - 1882.
Icon of The Transfiguration of Christ, in cover, from the Dodecaorton. Icon painter: Ivan Timofeev, icon painter: Sebastian Dmitriev, icon painter: Sergeev Stepan, Author of the drawing, architect: Chichagov Dmitri. Painting - 1653, painted over in late 19th century, cover - 1882
Icon of The Crucifixion, in cover, from the Dodecaorton. Icon painter: Ivan Timofeev, icon painter: Sebastian Dmitriev, icon painter: Sergeev Stepan, Author of the drawing, architect: Chichagov Dmitri. Painting - 1653, painted over in late 19th century, cover - 1882
Icon of The Descent from the Cross, in cover, from the Dodecaorton. Icon painter: Ivan Timofeev, icon painter: Sebastian Dmitriev, icon painter: Sergeev Stepan, Author of the drawing, architect: Chichagov Dmitri. Painting - 1653, painted over in late 19th century, cover - 1882
Icon of the Entombment of Christ, in cover, from the Feasts tier. Icon painter: Ivan Timofeev, icon painter: Sebastian Dmitriev, icon painter: Sergeev Stepan, Author of the drawing, architect: Chichagov Dmitri. Painting - 1653, painted over in late 19th century, cover - 1882
Icon of The Proofing of Thomas, in cover, from the Feasts tier. Icon painter: Ivan Timofeev, icon painter: Sebastian Dmitriev, icon painter: Sergeev Stepan, Author of the drawing, architect: Chichagov Dmitri. Painting - 1653, painted over in late 19th century, cover - 1882
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